The iPhone has long been regarded as the best mobile camera you can
own. Other smartphones might have better specs and higher megapixels,
but the iPhone offers the right mix of ease of use, great image quality,
and superb photo app ecosystem to stay ahead of the pack.
But from a photographer's standpoint, the iPhone is actually quite
limited. Its one lens doesn't zoom, can't be changed, and offers a
slightly-wide angle view that can feel restrictive to photographers used
to changing lenses on their larger cameras. Some photogs might
appreciate the limitations of the iPhone, but for those wanting more, an
entire industry of accessory lenses has cropped up to fill this void.
Moment, a new company from one of the founders of Contour Camera, launched a crowdfunding campaign earlier this year
to develop and produce two new accessory lenses for smartphones: the
Moment Wide and Moment Tele. The Moment lenses seperate themselves from
the rest of the field with their machined metal and glass construction
and unique, bayonet style mounting system. The Moment lenses aren't
cheap — they are shipping now for $99.99 each from Moment's online store
— but they promise to offer better quality than anything else on the
market. I've been using them on my iPhone 5S for the past few weeks to
test just that claim.
Moment's big differentiator from OlloClip and the many other cheap
attachment lenses is the level of care and quality put into the
construction of the lenses themselves. These lenses not only look like a
miniaturized lens you'd put on a real camera, they feel like it too,
with a surprising heft in your hand. (The Wide lens weighs about 1.6oz,
while the Tele version is just over 1.7oz.) Both lenses are coated in a
soft black anodized finish that just feels great in my fingers.
With lenses as substantial as these, Moment had to come up with a
unique way to actually attach them to your iPhone. Its solution is
unique and effective: a mounting plate attaches to the back of the phone
and offers a bayonet-style attachment point for the lenses. The plates
adhesive is strong, but not permanent, so it's possible to remove it
without damaging the phone. And you can actually use most cases,
including Apple's own, on top of it. Mounting the lenses is merely a
matter of lining up the attachment points and giving the lens a quarter
turn, just like on a SLR camera.
The Moment Wide lens offers an equivalent field of view of an 18mm lens on a full-frame camera. It's significantly wider than the standard 30mm equivalent lens on the iPhone 5S, letting you capture much more of the surrounding environment in your images. At the opposite end of the spectrum, the Moment Tele has a 60mm equivalent field of view, giving a much tighter perspective than normally obtained with an iPhone. Given their characteristics, the Moment Wide lends itself to wide, landscape shots, while the Tele is more useful for portraits. But either can produce interesting results when you break the rules and use them for shots outside of their obvious purpose.
Despite the Wide's aggressively wide angle of view, it still produced surprisingly sharp and evenly lit images, with minimal vignetting in the corners. It also didn't stretch or distort images as nearly as I expected it to. The Tele isn't as dramatically different from the iPhone's normal lens, but it does get you closer to your subjects for a tighter, head-and-shoulders style portrait view. Its longer focal length presented some issues with the iPhone's autofocus, causing it to hunt more and take longer to focus than it normally would.
The Moment Wide lens offers an equivalent field of view of an 18mm lens on a full-frame camera. It's significantly wider than the standard 30mm equivalent lens on the iPhone 5S, letting you capture much more of the surrounding environment in your images. At the opposite end of the spectrum, the Moment Tele has a 60mm equivalent field of view, giving a much tighter perspective than normally obtained with an iPhone. Given their characteristics, the Moment Wide lends itself to wide, landscape shots, while the Tele is more useful for portraits. But either can produce interesting results when you break the rules and use them for shots outside of their obvious purpose.
Despite the Wide's aggressively wide angle of view, it still produced surprisingly sharp and evenly lit images, with minimal vignetting in the corners. It also didn't stretch or distort images as nearly as I expected it to. The Tele isn't as dramatically different from the iPhone's normal lens, but it does get you closer to your subjects for a tighter, head-and-shoulders style portrait view. Its longer focal length presented some issues with the iPhone's autofocus, causing it to hunt more and take longer to focus than it normally would.
0 comentarios:
Publicar un comentario